{"id":60138204,"date":"2026-06-16T11:56:48","date_gmt":"2026-06-16T10:56:48","guid":{"rendered":"https:\/\/dialogue.earth\/?p=60138204"},"modified":"2026-06-16T14:27:24","modified_gmt":"2026-06-16T13:27:24","slug":"latin-american-artists-turn-climate-anxiety-into-inspiration","status":"publish","type":"post","link":"https:\/\/dialogue.earth\/en\/climate\/latin-american-artists-turn-climate-anxiety-into-inspiration\/","title":{"rendered":"Latin American artists turn climate anxiety into inspiration"},"content":{"rendered":"\n<p>Six musicians wear overalls and play haunting music from their vantage point, high on a scaffold. Below them, a screen shows an oil drilling rig in action in front of a canvas pool, representing the ponds where the water required for fracking is stored.<\/p>\n\n\n\n<p>This unusual diorama is part of Geonnitus, an artistic and audiovisual installation which aims to bring to life Vaca Muerta, the largest unconventional oil and gas field in Argentina, and one of the biggest in the world.<\/p>\n\n\n\n<p>Art has taken inspiration from nature since time immemorial: an 11,000-year-old mural depicting a volcano in \u00c7atalh\u00f6y\u00fck, in modern day Turkey, is believed to be the world\u2019s oldest landscape painting.<\/p>\n\n\n\n<p>As the scale of the climate crisis becomes overwhelming, a growing movement of Latin American artists are using their work to wrest back a sense of control. Geonnitus was <a href=\"https:\/\/teatrocolon.org.ar\/produccion\/geonnitus\/\">displayed<\/a> in March at the Teatro Col\u00f3n Experimentation Centre in Buenos Aires. It exemplifies that movement which asks: can humans translate what we are doing to nature into powerful art? <\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-from-the-heart-of-the-oil-industry-in-patagonia\">From the heart of the oil industry in Patagonia<\/h2>\n\n\n\n<p>Geonnitus was conceived and produced by <a href=\"https:\/\/proyectoecoeco.com\/\">Project ECO ECO<\/a>, a journalism and art collective.<\/p>\n\n\n\n<p>While trombones, horns, a tuba and percussion instruments represent the noise and chaos of extractive industries, the installation blends these realities with sounds of nature and the local population: the Patagonian wind, goats, birds, the creaking of a hammock, the music listened to by those working in the area.<\/p>\n\n\n\n<p>The project\u2019s name refers to the \u201cnoises that deafen the Earth\u201d, according to the programme, as well as \u201cthe tinnitus from which our planet suffers\u201d.<\/p>\n\n\n\n<p>\u201cIt is almost a requiem for the Earth,\u201d says Marina Aizen, a journalist and central figure in the project.<\/p>\n\n\n\n<div class=\"wp-block-cd-article-image aligncenter block--article-image block--article-image--article\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"><div class=\"block--article-image__column\"><div class=\"hide-expand block--article-image__image\"><img class=\"lazy\" data-src=\"https:\/\/dialogue.earth\/content\/uploads\/2026\/06\/musicians_Geonnitus_Buenos-Aires_Lucia-Rivero.jpg\" data-srcset=\"https:\/\/dialogue.earth\/content\/uploads\/2026\/06\/musicians_Geonnitus_Buenos-Aires_Lucia-Rivero-768x512.jpg 768w, https:\/\/dialogue.earth\/content\/uploads\/2026\/06\/musicians_Geonnitus_Buenos-Aires_Lucia-Rivero-1024x683.jpg 1024w, https:\/\/dialogue.earth\/content\/uploads\/2026\/06\/musicians_Geonnitus_Buenos-Aires_Lucia-Rivero.jpg 2559w\" data-sizes=\"(max-width: 600px) 768px, (max-width: 1024px) 1024px, 2559px\" alt=\"Musicians dressed in overalls play French horns \"\/><\/div><div class=\"block--article-image__content\"><div itemprop=\"caption\" class=\"block--article-image__caption\">Musicians dressed in overalls play French horns at Geonnitus in Buenos Aires last March (Image: Luc\u00eda Rivero)<\/div><\/div><\/div><meta itemprop=\"contentUrl\" content=\"https:\/\/dialogue.earth\/content\/uploads\/2026\/06\/musicians_Geonnitus_Buenos-Aires_Lucia-Rivero.jpg\"\/><meta itemprop=\"contentSize\" content=\"1 MB\"\/><meta itemprop=\"height\" content=\"1706\"\/><meta itemprop=\"width\" content=\"2559\"\/><meta itemprop=\"author\"\/><meta itemprop=\"representativeOfPage\" content=\"true\"\/><\/div>\n\n\n\n<p>Over the past 15 years, Vaca Muerta has occupied a central place in public debate in Argentina. Its supporters highlight its potential to drive <a href=\"https:\/\/dialogue.earth\/en\/energy\/361054-vaca-muerta-argentina-climate-cash-jobs-justice\/\">economic growth and create jobs<\/a>. Critics point to the environmental impacts of hydrocarbon extraction, <a href=\"https:\/\/sismicidadinducida.ar\/\">earthquakes<\/a> associated with fracking, and the need to transition to renewable energy.<\/p>\n\n\n\n<p>Geonnitus was born from these debates, Aizen says. \u201cThe idea of showcasing the impact of fracking through art emerged as a way to distance ourselves from the narratives set by the press, the industry and even NGOs,\u201d she adds. \u201cTo try to develop our own language that can convey the effects of unconventional hydrocarbon extraction.\u201d<\/p>\n\n\n\n<p>The challenge was considerable: to draw viewers into the world of hydraulic fracturing in a remote corner of Argentine Patagonia. <em>\u201c<\/em>Geonnitus adds a dimension of landscape, damage, noise and atmosphere that no discourse or written or spoken word can achieve on its own,\u201d says Aizen.<\/p>\n\n\n\n<p>The makers of <a href=\"https:\/\/www.alternativateatral.com\/obra59570-petroleo\">Petr\u00f3leo<\/a>, a play by the Argentine collective <a href=\"https:\/\/www.instagram.com\/piel_de_lava\/\">Piel de Lava<\/a>, approached a similar challenge in a different way, focusing on the gender dynamics of the oil industry. This, the artistic group\u2019s fifth production, premiered in 2018 and ran until 2024, before returning for another, limited run in 2025.<\/p>\n\n\n\n<p>The plot centres on four oil workers living together in a trailer, metres from a well in Patagonia. Loneliness, the wind, the uncertainty of whether there are more resources to be extracted are key themes, but also the humour that comes from living in these circumstances.<\/p>\n\n\n\n<p>In this case, the starting point was not hydrocarbons, but the desire to challenge certain gender stereotypes. \u201cThe idea of oil came later, because we wanted a world that was purely masculine, and in the world of oil there are no women,\u201d one of the show\u2019s stars Pilar Gamboa, previously <a href=\"https:\/\/www.infobae.com\/cultura\/2019\/03\/05\/petroleo-el-fenomeno-teatral-del-grupo-piel-de-lava-que-agota-entradas-en-san-martin\/\">said<\/a>.&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-creating-from-destruction-in-brazil\">Creating from destruction in Brazil<\/h2>\n\n\n\n<p>In Brazil, the self-styled \u2018artivist\u2019 Mundano says his environmental work stems from a feeling of powerlessness over the crisis. \u201cIn the midst of this climate crisis we are experiencing, it is impossible not to feel anxious,\u201d he <a href=\"https:\/\/www.instagram.com\/p\/DAWtSe4vK1c\/?hl=en&amp;img_index=1\">says<\/a>. \u201cThat is why I place such importance on art, which is where I manage to feel less powerless and give free rein to my anxieties about our future.\u201d<\/p>\n\n\n\n<p>His work aims to create from destruction. He paints with <a href=\"https:\/\/www.instagram.com\/mundano_sp\/p\/DAMAaK9Or7s\/?hl=en&amp;img_index=5\">ash<\/a> from Amazonian forest fires, <a href=\"https:\/\/www.instagram.com\/p\/CcJiEshjk5V\/?hl=en\">oil<\/a> spilled on beaches and <a href=\"https:\/\/www.instagram.com\/p\/DDfh0Xqv8Q8\/?hl=en\">mud<\/a> collected after floods in southern Brazil.<\/p>\n\n\n\n<p>The documentary film Cinzas da Floresta (Ashes of the Forest) follows Mundano as he travels across Brazil collecting ash from forest fires. The result is a whole-building mural in S\u00e3o Paulo depicting a volunteer firefighter, <a href=\"https:\/\/www.instagram.com\/p\/CVLt2nuvTIR\/?img_index=1\">O brigadista de floresta<\/a>.<\/p>\n\n\n\n<p>The film inspired a festival showcasing works by various artists using the same techniques, which took up <a href=\"https:\/\/www.instagram.com\/p\/DRIPy1oEoYo\/?hl=en\">residency<\/a> during the COP30 climate conference in the Amazonian city of Bel\u00e9m last November.<\/p>\n\n\n\n<p>Mundano used the event to <a href=\"https:\/\/www.greenpeace.org\/international\/press-release\/79824\/amazon-ash-art-performance-brazilian-artivist-mundano-demands-action-forests-cop30\/#:~:text=Mundano%20is%20a%20Brazilian%20artivist%20and%20environmental,Amazon%2C%20including%20Anamb%C3%A9%20Indigenous%20land%2C%20near%20Bel%C3%A9m\">call<\/a> for action. \u201cI have walked through burnt forests, and the sadness that hangs in the air there is profound. That is why, over the past four years, I have been carrying this ash as a call to turn burnt forests into standing forests,\u201d he said.<\/p>\n\n\n\n<div class=\"wp-block-cd-article-image aligncenter block--article-image block--article-image--article\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"><div class=\"block--article-image__column\"><div class=\"hide-expand block--article-image__image\"><img class=\"lazy\" data-src=\"https:\/\/dialogue.earth\/content\/uploads\/2026\/06\/20251118_Mundano-artist_installation-COP30_Belem_Brazil_Filipe-Bispo_Greenpeace-GP0SU7HAF.jpg\" data-srcset=\"https:\/\/dialogue.earth\/content\/uploads\/2026\/06\/20251118_Mundano-artist_installation-COP30_Belem_Brazil_Filipe-Bispo_Greenpeace-GP0SU7HAF-768x512.jpg 768w, https:\/\/dialogue.earth\/content\/uploads\/2026\/06\/20251118_Mundano-artist_installation-COP30_Belem_Brazil_Filipe-Bispo_Greenpeace-GP0SU7HAF-1024x683.jpg 1024w, https:\/\/dialogue.earth\/content\/uploads\/2026\/06\/20251118_Mundano-artist_installation-COP30_Belem_Brazil_Filipe-Bispo_Greenpeace-GP0SU7HAF.jpg 2560w\" data-sizes=\"(max-width: 600px) 768px, (max-width: 1024px) 1024px, 2560px\" alt=\"\"\/><\/div><div class=\"block--article-image__content\"><div itemprop=\"caption\" class=\"block--article-image__caption\">The artist Mundano presented this forest fire ash installation at COP30 in Bel\u00e9m, Brazil, to call for more action on forest conservation and restoration (Image \u00a9 Filipe Bispo \/ Greenpeace)<\/div><\/div><\/div><meta itemprop=\"contentUrl\" content=\"https:\/\/dialogue.earth\/content\/uploads\/2026\/06\/20251118_Mundano-artist_installation-COP30_Belem_Brazil_Filipe-Bispo_Greenpeace-GP0SU7HAF.jpg\"\/><meta itemprop=\"contentSize\" content=\"2 MB\"\/><meta itemprop=\"height\" content=\"1707\"\/><meta itemprop=\"width\" content=\"2560\"\/><meta itemprop=\"author\"\/><meta itemprop=\"representativeOfPage\" content=\"true\"\/><\/div>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-art-energy-transition-and-climate-justice-in-the-caribbean\">Art, energy transition and climate justice in the Caribbean<\/h2>\n\n\n\n<p>Climate justice has inspired Latin musicians, too. Artists from five Caribbean countries collaborated on the project <a href=\"https:\/\/fossilfreecaribe.org\/es\/cancion-cielo-azul\/\">Cielo Azul<\/a> to produce music inspired by a desire for a just transition.<\/p>\n\n\n\n<p>\u201cWe want this song to connect through identity and hope, but also to spark an urgent conversation about the Caribbean\u2019s energy future,\u201d says Carolina S\u00e1nchez, spokesperson for the <a href=\"https:\/\/fossilfreecaribe.org\/es\/\">Greater Caribbean Fossil-Free Network<\/a>, a coalition of organisations which worked alongside the Costa Rican record label We Could Be Music. \u201cIt\u2019s not just a song; it\u2019s an invitation to imagine and build a different path.\u201d<\/p>\n\n\n\n<p>The artists \u2013 from Colombia, Dominican Republic, Bahamas, Jamaica and Honduras \u2013 use their region\u2019s unique beauty and biodiversity as a theme in the lyrics: \u201cLet\u2019s not be left with just a photo of how beautiful the Caribbean used to be.\u201d<\/p>\n\n\n\n<p>Against a backdrop of proliferating oil and gas projects in countries such as <a href=\"https:\/\/dialogue.earth\/es\/naturaleza\/exxonmobil-consolida-petroestado-guyana-amazonia\/\">Guyana<\/a> and <a href=\"https:\/\/www.bnamericas.com\/es\/noticias\/produccion-petrolera-de-surinam-tocara-techo-en-2030-2031\">Suriname<\/a>, and exploration in <a href=\"https:\/\/www.bloomberglinea.com\/opinion\/el-auge-petrolero-de-america-latina-puede-redefinir-la-seguridad-energetica\/\">Honduras<\/a>, this phrase serves as a warning.<\/p>\n\n\n\n<a class=\"wp-block-cd-related-news alignright block--related-news loading\" data-post-id=\"60077286\"><div class=\"block--related-news__image\"><\/div><div class=\"block--related-news__content\"><span class=\"block--related-news__heading\">Recommended<\/span><span class=\"block--related-news__title\"><\/span><\/div><\/a>\n\n\n\n<p>\u201cWe are seeing a clear shift: a new generation of artists who aren\u2019t content with just making hits, but who want their music to mean something. Cielo Azul is part of that movement,\u201d explains Mia Paz Cambronero, founder of We Could Be Music.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-collective-resistance\">Collective resistance<\/h2>\n\n\n\n<p>Even traditional organisations are turning to art to supplement their work and make the climate case more effectively.<\/p>\n\n\n\n<p>The Chilean environmental law organisation FIMA has launched a <a href=\"https:\/\/www.fima.cl\/2026\/04\/20\/nueva-revista-invitan-a-toda-hispanoamerica-a-participar-en-concurso-de-arte-y-escritura-sobre-justicia-climatica\/\">call for submissions<\/a> of visual art and creative writing for a new annual magazine that will address the climate crisis from the intersection of art and legal reflection.<\/p>\n\n\n\n<a class=\"wp-block-cd-related-news alignright block--related-news loading\" data-post-id=\"50384801\"><div class=\"block--related-news__image\"><\/div><div class=\"block--related-news__content\"><span class=\"block--related-news__heading\">Recommended<\/span><span class=\"block--related-news__title\"><\/span><\/div><\/a>\n\n\n\n<p>\u201cThere is something beautiful in the collective resistance that arises around the crisis,\u201d says Ezio Costa, the organisation\u2019s executive director. \u201cThat is where artists intervene with the filters of their observations.\u201d<\/p>\n\n\n\n<p>Back in Argentina, Aizen believes their work casts a new light on the debates over hydrocarbons. \u201cOur project arose from the need to incorporate new languages into the discussion on hydrocarbons,\u201d she says. \u201cThrough artistic practices, we are bringing a new way of looking at Vaca Muerta.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>An exhibition taking viewers inside Argentina\u2019s biggest gas field is part of the growing \u2018artivism\u2019 movement<\/p>\n","protected":false},"author":50000026,"featured_media":60138239,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[761,50039902],"tags":[519,50042205,551],"hashtags":[],"country":[50000020,50000021,20000110,50002595,50002596,50029523],"class_list":["post-60138204","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-climate","category-forests","tag-climate-impacts","tag-culture","tag-health","country-argentina","country-brazil","country-china","country-guyana","country-honduras","country-suriname-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.0 (Yoast SEO v26.0) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Latin American artists turn climate anxiety into inspiration | Dialogue Earth<\/title>\n<meta name=\"description\" content=\"An exhibition taking viewers inside 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