{"id":50047730,"date":"2021-10-27T15:39:11","date_gmt":"2021-10-27T14:39:11","guid":{"rendered":"https:\/\/stage.dialogochino.net\/?p=47730"},"modified":"2023-06-04T12:04:46","modified_gmt":"2023-06-04T11:04:46","slug":"47711-amazonas-espectacular-exposicion-de-salgado-inspira-asombro-y-accion","status":"publish","type":"post","link":"https:\/\/dialogue.earth\/es\/bosques\/47711-amazonas-espectacular-exposicion-de-salgado-inspira-asombro-y-accion\/","title":{"rendered":"Amaz\u00f4nia: La espectacular exposici\u00f3n de Salgado inspira asombro y acci\u00f3n"},"content":{"rendered":"

Una toma con un enfoque profundo de una selva densa, y en un blanco y negro de tan alto contraste que parece moverse, da la bienvenida a los visitantes de Amaz\u00f4nia<\/a>, la exposici\u00f3n realmente cautivante sobre el Amazonas del renombrado fot\u00f3grafo brasile\u00f1o Sebasti\u00e3o Salgado, recientemente inaugurada en el Museo de Ciencias de Londres.<\/p>\n

En algunas partes, los afluentes del Amazonas trazan suaves curvas a trav\u00e9s de la selva con oscilaciones que parecen p\u00e9ndulos. En otras, las perforaciones, o furos<\/em>, de las masas de agua forman tramos rectos y giros m\u00e1s pronunciados. Las impresionantes tomas de \u00e1ngulo alto de los meandros, las curvas del r\u00edo, en forma de rompecabezas dan una sensaci\u00f3n de movimientos menos predecibles.<\/p>\n

\"Monte
Monte Roraima, estado de Roraima, Brasil, 2018 (Imagen \u00a9 Sebasti\u00e3o Salgado \/ nbpictures)<\/figcaption><\/figure>\n

Amaz\u00f4nia documenta mucho m\u00e1s que los r\u00edos que corren en Brasil y que son la savia del bioma. Tambi\u00e9n est\u00e1n sus “r\u00edos voladores”, miles de millones de toneladas de vapor de agua transpirado que fluyen en corrientes a\u00e9reas. Hay monta\u00f1as con cimas planas. Y tambi\u00e9n hay lluvia: lluvia en torrentes granulados; en forma de cortinas blancas; y en vertidos cil\u00edndricos que parecen apuntalar nubes en forma de hongo. Sin embargo, estas lluvias son cada vez m\u00e1s irregulares debido a la deforestaci\u00f3n y al cambio clim\u00e1tico.<\/p>\n

Adem\u00e1s de la fascinante geograf\u00eda y biodiversidad, Amaz\u00f4nia muestra algunos de los cientos de grupos de pueblos ind\u00edgenas que habitan y sostienen lo que Salgado llama “el para\u00edso”. Entre ellos, los musculosos pescadores Kuikuro, que viven en la reserva de Xingu<\/a>, y los Zo’\u00e9, que significa “yo soy yo”. La frase equivale a “somos gente” y se cree que tiene su origen en sus intentos de comunicar su humanidad a los forasteros durante el primer contacto. Los zo’\u00e9 sobrevivieron a la llegada de las misiones cristianas en la d\u00e9cada de 1980, as\u00ed como a la diezma de su zona de residencia por la industria del caucho.

<\/p>\n
\"Un
Un cham\u00e1n yanomami realiza un ritual en el cerro Pico da Neblina en 2014 (Imagen Sebasti\u00e3o Salgado\/nbpictures)<\/figcaption><\/figure>\n

<\/div> Salgado es tan conocido por su activismo en favor de la protecci\u00f3n de los bosques y los pueblos ind\u00edgenas de Brasil como por sus fotograf\u00edas monocrom\u00e1ticas de alto contraste. La majestuosidad de los pulmones del planeta llega hoy a un p\u00fablico m\u00e1s amplio mientras se enfrenta a amenazas como la tala, la miner\u00eda y la agricultura<\/a>, y a un punto de inflexi\u00f3n clim\u00e1tico.<\/p>\n

Aunque el patrocinio de la exposici\u00f3n de Salgado procede de otras fuentes, el Museo de  la Ciencia ha sido recientemente objeto de cr\u00edticas por parte de activistas, que lo acusan de permitir que la empresa petrolera Shell haga un “greenwashing”<\/a> de sus operaciones de altas emisiones al patrocinar exposiciones sobre tecnolog\u00edas que capturan y eliminan el carbono de la atm\u00f3sfera.<\/p>\n

Mientras corre el riesgo de ser destruido y de dejar de funcionar correctamente, la tecnolog\u00eda m\u00e1s eficiente de este tipo se expone v\u00edvidamente en Amaz\u00f4nia: el propio bosque.<\/p>\n

Amaz\u00f4nia<\/em><\/a>, de Sebasti\u00e3o Salgado, se exhibe en el Museo de la Ciencia de Londres hasta marzo de 2022, y est\u00e1 previsto que en el futuro se exponga en el SESC de San Pablo y en el Museo del Ma\u00f1ana de R\u00edo de Janeiro.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Las dram\u00e1ticas representaciones de la selva amaz\u00f3nica y de sus habitantes realizadas por el famoso fot\u00f3grafo brasile\u00f1o documentan el “pulm\u00f3n del planeta” en toda su majestuosidad<\/p>\n","protected":false},"author":50000026,"featured_media":50047714,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_has_post_settings":[],"footnotes":""},"categories":[50039927],"tags":[50003612,50003595,50004589,50040430],"hashtags":[],"country":[50003525],"class_list":["post-50047730","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bosques","tag-amazonia-es","tag-biodiversidad","tag-pueblos-indigenas","tag-selvas-tropicales","country-brasil-es"],"acf":[],"yoast_head":"\nMuestra fotogr\u00e1fica de Sebasti\u00e3o Salgado llama a acci\u00f3n en el Amazonas<\/title>\n<meta name=\"description\" content=\"Las fotograf\u00edas del Amazonas realizadas por el 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We seek to bring light, rather than heat, to crucial debates, and solutions to bear on complex problems.","email":"info@dialogue.earth","telephone":"(+44) 7542 525 859","legalName":"Dialogue Earth","foundingDate":"2006-09-22","numberOfEmployees":{"@type":"QuantitativeValue","minValue":"11","maxValue":"50"},"publishingPrinciples":"https:\/\/dialogue.earth\/en\/about\/"},{"@type":"Person","@id":"https:\/\/dialogue.earth\/es\/#\/schema\/person\/9dbd32ee2b8c57a94f9fb0f36d07a344","name":"Marina Bello","url":"https:\/\/dialogue.earth\/es\/author\/dc_marina\/","sameAs":["https:\/\/dialogue.earth\/es\/author\/dc_rob\/"]}]}},"_links":{"self":[{"href":"https:\/\/dialogue.earth\/es\/wp-json\/wp\/v2\/posts\/50047730","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dialogue.earth\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dialogue.earth\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dialogue.earth\/es\/wp-json\/wp\/v2\/users\/50000026"}],"replies":[{"embeddable":true,"href":"https:\/\/dialogue.earth\/es\/wp-json\/wp\/v2\/comments?post=50047730"}],"version-history":[{"count":1,"href":"https:\/\/dialogue.earth\/es\/wp-json\/wp\/v2\/posts\/50047730\/revisions"}],"predecessor-version":[{"id":60001953,"href":"https:\/\/dialogue.earth\/es\/wp-json\/wp\/v2\/posts\/50047730\/revisions\/60001953"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dialogue.earth\/es\/wp-json\/wp\/v2\/media\/50047714"}],"wp:attachment":[{"href":"https:\/\/dialogue.earth\/es\/wp-json\/wp\/v2\/media?parent=50047730"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dialogue.earth\/es\/wp-json\/wp\/v2\/categories?post=50047730"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dialogue.earth\/es\/wp-json\/wp\/v2\/tags?post=50047730"},{"taxonomy":"hashtags","embeddable":true,"href":"https:\/\/dialogue.earth\/es\/wp-json\/wp\/v2\/hashtags?post=50047730"},{"taxonomy":"country","embeddable":true,"href":"https:\/\/dialogue.earth\/es\/wp-json\/wp\/v2\/country?post=50047730"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}