A temporary art installation sited on an important global migratory bird flyway in China has been dismantled early over concerns about its potential to cause bird strikes.
The installation, titled “Floating Soil” and exhibited as part of the Dongting Lake Reed Art Festival, consisted of a 9.5-metre-high reflective stainless steel tower topped with a square slab of reeds mimicking a section of wetland. The work, sited on the lake’s Junshan island, sought to explore the connection and disconnect between humans and nature, and the relationship between reality and imagination, reported The Paper.
Dongting Lake is a crucial stop-off point for the East Asian-Australasian flyway, with up to an estimated 400,000 migratory birds overwintering there each year, the outlet noted. Wildlife photographer Xu Keyi said the work’s mirrors, reflecting the sky and surrounding reeds, could have confused the birds and turned the area into a “man-made migratory bird slaughterhouse” due to the potential for high-speed collisions, according to Guancha.cn.
The installation, erected in December 2025, was ordered to be dismantled on 15 January, weeks before its planned removal date, the outlet noted. According to Cover News, the art collective behind the work responded to Xu’s concerns, saying that the stainless steel mirrors had low reflectivity. The artists also claimed the installation was located two kilometres from the main area of bird activity, which, combined with the installation’s short-lived nature, meant it posed “extremely low risk” to the birds.
However, Li Binbin, an associate professor of environmental studies at Duke Kunshan University, dismissed these claims, telling the outlet that the reflectivity of the work as seen in existing images was “obvious”. Li also noted that migratory birds fly within a general area rather than a fixed route, meaning the two-kilometre claim had no scientific basis.
This is not the first art project to have sparked environmental concerns in China. In September 2025, Chinese artist Cai Guoqiang collaborated with outdoor brand Arc’teryx to stage a fireworks display on the Qinghai-Tibet Plateau, at an altitude of up to 5,000 meters. It was criticised on Chinese social media for potentially polluting the plateau’s fragile environment and impacting the area’s flora and fauna.
Cai’s studio was found by Shigatse city officials to have damaged the site’s grassland and insufficiently cleaned up fireworks residue and plastic debris, while Arc’teryx was held legally responsible for compensation and ecological restoration, reported Xinhua. Several provincial officials had been sacked and placed under investigation over the matter, noted Caixin.
Read Dialogue Earth’s previous report about China’s first documentary on plants.